I’ll start off with a question: What is common between all
of these names: aside from the fact that they are probably the most well-known
people on Earth: Jimi Page, Eddie van Halen, Tony Iommi, Slash, Keith Richards,
John Petrucci, Kirk Hammett, Angus Young, Dimebag Darell, Dave Mustaine and
Jerry Cantrell?
The answer to that question is that each one of them, while
being extremely accomplished, talented, gifted and successful guitarists
individually, belonged to successful bands. Bands that went on to achieve
stellar levels of success and will probably be remembered for their music many
years to come!
The point is that it is a safe assumption to make that the
reason that bands such as Metallica, G n’ R, Black Sabbath and The Rolling
Stones have soared to such monumental levels of success is down to the
brilliance of their guitar players. And perhaps the reason these guitarists
have been idolized by billions all over the world, is due to them being
associated with such acts. It all goes hand-in-hand.
That however is not to suggest that solo artists are not
successful, as there are plenty of examples out there that would tell you
otherwise: Jimi Hendrix, Chuck Berry, Joe Satriani and Carlos Santana are
perhaps perfect examples of this.
But I digress. The whole point of my argument is that while
it is possible to achieve worldwide success as a solo artist (that is what
every musician aims to do, right?), being a part of a band makes this dream
realistically achievable.
Being part of, and playing with a band, is a thought that
would most certainly have crossed the mind of every single guitar player, at
least once. And there are many reasons for it: you might feel more comfortable
as part of a group, rather than playing individually, or maybe you think that
to have a shot at the big time, you need to be in a proper band. Whatever the
case might be, you’ve given it a thought, and that fact that you’re reading
this proves just that. By all means, go for it!
The following write-up intends to cover the essentials of
starting your very own band, finding gigs and work, as well as rehearsing and performing.
Before you set off, you need to ask some important questions
and take a lot of different factors into consideration. For starters, have you
identified the members who will make up your band? If yes, have you pitched the
idea to them and are they onboard? If not, how exactly do you plan on going
about it? Do you have a list of potential candidates?
At this point, it is also important to ask yourself how big
the band will be, and who exactly will be doing what.
Avoid naming your band before all members of the band have
put in at least one practice session. This will allow you to be able to get a
feel of the band, before you give it a name that will remain with you for the
rest of your life, and become something you will be identified with. For
instance you might call it The Metal Nation on the basis that it’s going to be
a heavy-metal band, only to discover that metal isn’t for you. Now you’re stuck
with an awkward name that you most certainly will have to change.
In all probability, your band-mates will be your close
friends, or people you know from school or college, who play instruments. That
is how most bands come into being in the first place (pick the history of any
big band out there, 90% of the time, that is how the band would’ve been
formed!). Starting a band with your friends has its advantages – it’s easier to
form a band this way; you know everyone’s strengths and which instrument each
member excels at playing. Plus, the fact that you know them well (and vice
versa) is important because (as you’ll find out in due course of time), relationships
within the band are extremely important. So for instance if you have the choice
between a bassist who’s your friend but not as good as another bassist who can
really kick it with a bass guitar, but you don’t know him very well, go with
your friend. With time, the lesser accomplished of the two will improve and
most certainly get better!
One important aspect to consider is that it’s all a lot
easier if all band members are able to meet somewhere on a daily basis – such
as school or work. Doing so makes it easier to arrange practice/jam sessions
and talk about the music and the band.
Once your band is together, give yourself a quick pat on the
back and start practicing! When you kick things off, it may (or may not) take
time for the band to get together and get in sync with each other; it depends
on how familiar everyone is with each other. It will probably take some time
before everyone’s one the same wavelength. But for starters, decide upon a
couple of songs that everyone in the group – the singer, the guitarist, the
bassist, the drummer etc. – is familiar with, and practice intensively. Don’t
immediately jump on creating your original material immediately. Take a good
easy song, like a Coldplay, Nirvana or a Pink Floyd track.
Continue to practice on a regular basis, depending on the
time available for you and the other member to do so. Personally, nothing beats
practicing on a daily basis; it is extremely important. But if you (or another member) for instance have
work or commitments that might keep you from practicing daily, do it at least
once a week, weekends for-the-win!
Deciding where you would be rehearsing is an important
factor. My band used to assemble in my garage since it was practically empty, a
big-enough space and at a distance from the house so that the noise would not
bother anyone else. If you don’t have such an option and if you have access to
your school’s music room (or any hall), go for it. If not, rent out an empty
space at your local community center, for a few hours – they’re quite cheap!
And finally, perhaps the most important part – getting work!
Plan your first gig by starting off locally. You need to think like a marketer
initially and basically get the word out by letting as many people as possible
that you’re now in a band which is looking for work. Also remember that most
gigs pay either nothing, or close to nothing (which is then split 4 or 5
ways!), so don’t expect to earn a lot of money. You’re not making music for the
money anyway are you, because if you are, you’re probably in the industry for
the wrong reasons! In the beginning, at least for a good year or two, it’s all about
exposure and spreading the word. If you’re good enough, someone might just
approach you at a gig and invite you to play for them!
Good luck!
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